Nine more pages

Or however many it takes to write this last scene. We've had the dark night of the soul, the climax, and now we're wrapping it all up. Heading for that final scene, that final look at Tomboy that echoes our first look, but is totally different. The one that shows us where she is now after her journey, the journey we took with her. I love Tomboy. I hope she has a long life on the stage. I hope lots of people fall in love with her as I have. This is the first play I've ever written that I can visualize in other media. The Godmother could be The Sopranos meets The L Word if HBO or Showtime comes knocking. Or maybe it's a movie with a sequel. Or maybe it's more than one play, but whatever it is, Tomboy wants off the page and onto the stage. I have to continue to do my best for her. So, back to the coal mines I go.

Dreaming of writing

I had this dream last night. A young woman actor I knew was in a film that was nearing completion, she thought it was finished, so she dove into it (don't ask -- it was a dream!) and I was watching the film, enjoying it so much, couldn't wait to see the end, when the film stuttered, and words came up, that I couldn't quite read, then we skipped a scene and she was back, exciting! The film went on, but then -- without warning -- words came up again. Sorry, no ending. We're waiting for the writer to finish the script. Yikes! my friend was stuck inside the film! I had to get to the office, talk to the writer. I drove to the building and went to the door, but it was sealed off. I ran to another door and made my way in, but everything had changed in my absence. I was directed further and further into the building. I didn't know my place any more. And where was the writer? The asshole. He was gone. Could I use his office? Maybe I could finish the script and rescue my friend. I got inside his office, I set myself up at his desk, and I thought I heard my grandson call me from downstairs "Mom?" He doesn't call me Mom. What the? I woke up. Did I really have this transparent dream? Yes, I did. Will I finish the script in time? I don't know. But obviously I have to try!

Writing Part Two

The second act is coming along just fine, thanks. The opening scene is exactly what I was hoping for. The false victory scene is a family feast that's going gangbusters until --- interrupted by Chee Chee di Mayo. I've written out the outline with notes, and will fill and complete scenes all the way to fini. Aiming for wrapping up by the end of the day Sunday. We'll see. Think good thoughts if you're wired that way. I have a cold and a migraine, so it's like working in sludge today. It'd be great to finish early because there are a couple of things nagging me from the first Act that I want to clean up ...

Whew.

The staged reading of The Godmother was a huge success. More than 50 people attended, laughed, applauded, and at least one person had tears at the end. (I saw them with my own eyes, so I know she wasn't kidding.) The actors were awesome. I had no idea there would be so many laughs, but they all came at appropriate places, so that was good. Many people asked for a copy of the script as is, many more asked me to let them know when they can see it in full length form, many more said they really hope it gets a full production soon. Me too. I was able to pay the actors from the door proceeds, which made me happy. Now. Back to work on Act Two. Must finish before Jan. 31.

Godmother is sure to be up all night ...

Will she be drinking? pacing? I don't know. She keeps me awake on nights like this. I can feel her anxiety about appearing in public, having people know her private life. But wait til you see her, the way she wrests her power from the atmosphere and wields it over her men. The way she charms her girls, switches from being hurt to being in charge. Tomboy McCorkle may not be someone you want to be, but you can't help admiring her strength, her courage. And Corker? What's with this one? Who is she? What does she want? What is her game? What will become of Billy? Dolla Bill. Will he sell his future to become Million Dollar Bill? What happened to Paddy? Who killed the Slapper? No wonder Tomboy isn't sleeping ... Come see her at 12:30pm tomorrow, Portland Center Stage, mezzanine level. BYOB.

Godmother and her gangsters

What a cast! Even if you weren't dying to know what will happen in an hour's time this Saturday afternoon at Portland Center Stage in a play called "The Godmother," you have to want to see these fabulous actors in the following roles:

Tomboy McCorkle, Godmother by Jessamyn D. Rae

Corker McCorkle, her sister-in-law by Dierdre Atkinson

Billy McCorkle, her brother by Miles Thoming-Gale

Charles Uppity Jones, mobster by Shoshana Maxwell

Black Walnuts, mobster by Jerry Bell

Daniel, mobster by David Loftus

Ernie, mobster by Greg Alexander

Paddy, consigliore by Alan Hakim

Chee Chee di Mayo, crime boss by Patric Callahan

Juanita, call girl by Megan Skye Hale

Blondie, Hottentots girl by Victoria Blake

Sally, Hottentots girl by Stephanie Blair

The director is the talented, skillful and creative Andrew Wardenaar. Come and bring your peeps.

Some of the participants on January 23rd

Jessamyn D. Rae IS the Godmother Tomboy McCorkle. Her nemisis? Patric Callahan plays Chee Chee di Mayo. Brother Billy is played by 16 year old Miles Thoming-Gale; Sally by Shoshana Maxwell. Watch this space for more names in coming days. The full cast will be named very soon!
See a picture of The Godmother in the current of Just Out magazine, Portland's GLBTQ newspaper, where Fertile Ground made the cover for January. Fertile Ground will also be the cover on this week's A&E section of The Oregonian. We are the happening event of the month, people! Over 50 events, including world premieres of full productions, staged readings, dance productions, music, you name it baby. Come get out of the cold, see what's H.O.T. Buy your pass for ALL of it, or tix for The Godmother HERE: www.tinyurl.com/tomboygodmother