Yesterday went fairly well, once I spent an hour completely screwing up my Style format that I had set up to write my new play. I should never try to do technical work before I have my tea. So I stopped that and had my tea while answering email, reading Twitter, looking at FaceBook, reading NYtimes.com, and so on. When I finally returned to my play, thinking I would format it old school, Word wouldn't let me. My format was so screwed up, I couldn't write at all. Copy and move to a new blank document? that doesn't work in Word.
Only one thing to do. Learn how to fix what I had broken. Well, that took another two hours out of my day. Not to mention how many more gray hairs I sprouted, and cortisol hormones I sprayed throughout my body. Probably took a few years off my life as well. But, I did learn how to properly create Style formats! Still, it was 5pm by then, and I decided it was time for lunch. After that I might as well just hang it up for the day.
I didn't though. I kept going, and actually managed to produce some pages. Enough to realize that while I had been busy recruiting actors for the table read I have already committed to on October 4th (oh be quiet, I'll have a draft by then, I will!), I don't seem to have outlined any scenes onstage for one of the actors I have cast. Hm. In my mind, he's an important character. In the outline, he's never onstage. Ruh roh. I foresee a change acoming. Either on the page, or I have to cancel an actor that I really like. It has to be on the page. I like the balance of characters with him on the page. How to get him there? flashback? or do we have to visit him in the Pen? that's no fun. Looks like a flashback scene is coming up. This should be fun. Oh! Put that in the fun and games section! Thank you, Save the Cat!
Storyteller’s Rulebook: Maintain Identification, Even in Third-Person - When you’re writing prose from a first person POV, it’s easy to maintain identification: Your hero can only see what he can see, only hear what he can hea...
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