I'd like to be able to put the title of my new play as the title of today's post, but I don't have a title yet. My working title is "the sequel" because it's the sequel to "Blue Roses." Or maybe it's a companion piece to "Blue Roses." In any case, three of the characters from BR are also in the new play. I now have the story, the characters, the beginning, and the end. I have an entire cast of characters, some of whom will not appear onstage, and today I'm going to work out which of them are so critical to the story that they MUST appear onstage.
From there I will continue on building the outline, the 15 beats, and so on. And soon I will begin writing more dialogue. I have the opening image with its few lines already written.
This has been an exciting week, working on the new play. I have visited the ScriptLab website more than a few times, looking at outlines of films. I have watched films that are in the same genre as my new play. I am once again reading Save the Cat! as I religiously follow the rules for writing my script.
What are you working on this week? Do you ever write from an outline? I have found this to be the most freeing thing I've ever done in over 30 years of writing scripts. I always thought it would be the opposite, that it would hamper my creativity. Instead, it's like fashion design: know the rules so you can be free to create something beautiful instead of a hot mess.
I've asked before, and some people told me they never use an outline, but some use mind maps (I have before). Some let the characters show the way. What has been your most successful method? Do tell.
Storyteller’s Rulebook: Maintain Identification, Even in Third-Person - When you’re writing prose from a first person POV, it’s easy to maintain identification: Your hero can only see what he can see, only hear what he can hea...
17 hours ago