Friday, February 3, 2012

My first time ...

So guess what happened to me last night? I got stuck in an elevator! With NINE other people. I went to a writing workshop, and afterward, got on the elevator which was already crowded, and then 3 more people got on after I did, the door shut, the elevator started down and then just stopped. We had gone 3 feet down. But it would not open, would not budge. And no one would come to fix it. We were put on hold, TWICE. So we called three times. Finally, we called 911. The firefighters got there. The elevator repair people never did arrive, although we had been told they were "almost there" a couple of times. The firefighters opened the door, one of them stood back in the hall with a bowl of candy from the reception table (from the workshop) stuffing his face, and the other (in full gear) reached a hand down, expecting us to haul ourselves up the 3 foot drop somehow, or be pulled up by our arms. I yelled up to the young woman from the workshop, who was dripping sweat from going up and down the stairs to deal with everyone, to get us a chair to climb on and she did, and then we older folks climbed out via the chair. I then beat it the hell down the stairs and outside. We had been in the elevator for an hour. I was hot because it was too crowded in the elevator, plus my hands were full, so I didn't take off my coat. Once outdoors I cooled down quickly and got cold. I had just missed my bus, didn't have hat or gloves and the wind was up. I called my daughter and asked her to pick me up downtown, then walked to the Hawthorne bridge and met her there. It was about a mile's brisk walk, and my ears were burning with cold by the time I got there and she picked me up. I was so glad to get home.
I had a couple of frightened moments on the elevator, but really just didn't let my mind go there. Instead, I struck up conversations with the other writers around me, asking them what they were working on. All the women have strong female protagonists -- even the YA writer. There was a young woman at the back of the elevator who isn't a writer, but is a broadcaster. She had been dealing with brain cancer. Is now looking for work. She seemed bright and optimistic, certainly was poised in our situation. I hope she finds work soon. We writers shared our current projects' stories with each other to pass the time. I was struck by the creativity and promise of each one.
All in all, I'd have to say I probably got as much from the experience in the elevator as I did from the workshop. Which is not a diss to the workshop -- I liked the interaction in the elevator is all. Plus it was free, and had the bonus of great relief at the end.

Thursday, February 2, 2012

Busy, busy, busy -- writing!

I procrastinated for one day, then dove in to my writing projects so hard I forgot to come up long enough to blog about them. I completed revising "Asylum No More" for the umpteenth time, but this time after seeing it performed before live audiences, receiving feedback from thoughtful friends, getting on-point questions from the director. Sent it out before deadline to an important festival. Was also referred by a director to a theatre company that produces works with African-American casts. It would be lovely to have the play read there as well.
Now I'm working on writing my new play: "The Stars Are Our Ancestors." This has meant listening to a book on tape which I read years ago -- "A Brief History of Time." Listening to it means I can listen to it again, until I understand the concept. When I'm reading, sometimes the pages are like Teflon -- my eyes keep sliding off. My play contains dark energy, dark matter, black holes, and stars. My protagonist has to have ideas, thoughts, and something to say about these things. So ... So do I.
Meanwhile, I'm also studying for a job that's coming up. Memorizing material. I like challenging my brain for that as well. I alternate my projects. Work on one thing for awhile, go away and work on another.
Keeping busy also keeps me sane. How do you take care of yourself?

Tuesday, January 24, 2012

Procrastination Day

I am normally an organized person, right on top of things. I outline my plays, have to-do lists, keep a list of movies I plan to see, make my bed as soon as I get out of it in the morning. If you've checked your calendar, you'll note that National Procrastination Week doesn't begin until the second week in March. I don't have time for an entire week of procrastination every year. And I really can't wait until March to procrastinate, so I'm doing it today. I have a mystery novel that I've revised that needs those revisions uploaded on the computer, and formatted for amazon.com so I can sell more books. I have revisions to make to "Asylum No More" now that the show is over. I have a new play to finish the first draft on -- it is outlined, and the first 5 pages are written. I've had two days off to rest up, and I could be working today. However, I saw on my calendar that Procrastination Week was coming up and I'd need to find time for it somewhere, so I thought I might as well get it out of the way, particularly as it is already 4 in the afternoon. So, there ya go. All done with that. I'm not one to tell you what to do, but you might want to look at your own March calendar. Isn't that around the time you're usually getting your tax information together and taking it to your tax person? Or better yet, doing your own taxes and getting them out of the way? You're welcome.

Sunday, January 22, 2012

Asylum No More -- Last Night was Closing Night

The cast was really on last night, an even tighter ensemble than the night before. We had a smaller audience, and this time we had an audience who laughed on the inside. Ouch. I always remember that line from an old sitcome "I'm laughing on the inside -- where it counts!" No it doesn't. Not at all. It does make for a shorter show though.
Feedback still says they want to see a full production. Love the show, love the cast. One feedback sheet I haven't read yet because it is definitely for the playwright: covered front and back. I'm not quite ready for that this morning, but I know it is well-intentioned and meant for a playwright who is open-hearted and ready to rewrite.
It was delightful to watch the relationships develop between the characters onstage, even though these were staged readings, and the actors had scripts in hand. They rehearsed enough to be able to look up from their lines and deliver them face to face with feeling, they stepped out of each other's way at particularly heated times, their body language was beautiful to watch. This is one of those memories I feel so lucky to have, one of the reasons I am primarily a playwright instead of a novelist. It is the playing that brings me to the stage. Let's pretend. As the playwright I get to watch the players.
Live theater is a gift to the world and one we must remember to give to ourselves and friends and families. I bring my friends out to see live theater at every opportunity, proselytize constantly. Theater doesn't exist without an audience, it is a living, breathing thing, and the audience makes that so. Opening night, closing night, every night is new and different. There are moments when the world stands still inside the theater building and you can feel the oneness that we all are. You want to be there when that happens. I've been there, more than once. It's why I keep going back.

Saturday, January 21, 2012

Asylum No More -- Last Night was Opening Night

We had a decent house, sold more than half the seats. Not bad when the show doesn't start until 11PM, and it is POURING down rain on a Friday night in January. We handed out feedback forms and writing utensils before the show and almost everyone took the time afterward to complete the three questions. This after a lots of laughter, lots of applause for the actors who really delivered. I saw more places to cut, places I want to change, and the actors helped to illuminate the script so I could see and hear what I needed to see and hear. All feedback for the actors was glowing. As it should be! The director, well I can't say enough about Brian Demar Jones. He was a gift. I found him because I needed a new director after mine bailed, and Sven Bonnichsen sent me his headshot because Brian had applied to audition and Sven noticed that Brian also directs. Lucky me, Brian was brand new to Portland and hadn't yet been snapped up. By now, he is overloaded with projects, and I will not likely ever get to work with him again as he will be employed by all the big theaters from now on. So, I'm celebrating the fact that we are working together now, and he has been a tremendous help to me on Asylum No More.
We do it again tonight, for our second and last time in this run. It's a festival, we have only two nights. Maybe we will get to do a full production later in the year. I will do my best to raise the funds. All but one person who turned in feedback said they wanted to see the show in full production. The one negative person was negative in every way -- except toward the cast. When I read that feedback (so out of step with everyone else) I suddenly heard my NYC friend speaking in my ear "remember, when playwrights give negative feedback, they are telling you the problems they have in their own plays. It is not about you." So, I took it like that. Because seriously, it didn't seem to be about my play. After tonight, I will write about what I plan to change in the play, based on feedback, based on my own observations. Because it is, of course, still a work in progress.

Wednesday, January 18, 2012

Helen's corner of heaven

My sister asked me to write something that someone could read at Mom's memorial. This morning I had a dream that I was standing in a field of a wild bird refuge that Mom had created simply by having fed birds out her window all these years of her later life, and hadn't seen because of not being able to get outdoors the past couple of years. There were flocks of herons taking off and coming back, that made me cry.
When I woke up, I was able to finally write something for Mom. Here it is:

Mom’s corner of heaven is filled with birds. And dogs. She is up there with her dogs and birds, feeding them all. Never having to eat a bite herself, she can just feed the dogs and birds as much as they will eat. Forever. She loved throwing out doughnuts and watching birds eat in a circle. She loved walking her dog to the pond and feeding the ducks and geese. Mom rescued more animals in her lifetime than most, beginning way before they called it rescuing and still called it "taking in strays."
Mom had a goat when she was a kid herself. She loved to tell the story of how she about drove her grandma nuts by riding her tricycle with a cow bell on it around and around the outside of their house with the goat following her. The goat came inside the house as well, and jumped on the dresser, among other things.
Mom made sure we always had pets in the house when we were growing up. One Easter we got baby chicks, dyed pink and blue. Mom named them Pink and Blue. They never lived out in the hen house with the other chickens. They roosted on the window sill. Another Easter we got a rabbit. Mom named him Bunny Hop, and he became great friends with our dog Leven. (We rarely got to name our own pets. Mom enjoyed that job.) Another holiday we got two collie puppies: Salt and Pepper. Unfortunately, Mom backed over Pepper, while he was still a pup, but Salt grew up to be a favorite -- until she bit the Sheriff. But strays! There was Neighbor, who came to live with us after his father, Ricky Nelson, a 20 pound yellow tomcat, died. Alberta named Ricky, but Mom named Neighbor because ... he lived next door. Lee, Mom got from the pound. Girl came from the no-kill shelter. And Bird, of course. Everyone knows about Bird. Now they can all be free, out of the cage, off-leash, no more aches or pains, all together, forever, in heaven.

Monday, January 16, 2012

DABDA: those 5 stages of grief

DABDA: denial, anger, bargaining, depression and acceptance. We don't necessarily go through them in order, nor do we necessarily all go through all of them. Sometimes we get stuck. Elizabeth Kubler-Ross introduced these stages to us back in 1969 in her book On Death and Dying. I read the book back in the 70s when a friend my age was dying of leukemia and Kubler-Ross came to interview her. And now here I am experiencing the stages of grief (well one stage: anger) because my 94 year-old Mom has died.
I'm stuck like a moose in the spring thaw. I know it has been only 11 days, but my blood is boiling. Every communication I attempt with my sibling just makes my anger worse. She feels unable to speak with me, and I now feel unable to email her. I cannot go out to Missouri for the memorial service that they were not going to have, and now are having this weekend. I was not invited, but now am invited to write something that someone else could read (not my sister). I cannot. Mom always said when you don't know what to do, do nothing. At the moment, that is all I can do: nothing. And it feels wrong. I stand for peace, and today I am a hypocrite. I cannot make peace with my family.
Maybe tomorrow I will be able to move forward.