Asylum No More -- Last Night was Opening Night

We had a decent house, sold more than half the seats. Not bad when the show doesn't start until 11PM, and it is POURING down rain on a Friday night in January. We handed out feedback forms and writing utensils before the show and almost everyone took the time afterward to complete the three questions. This after a lots of laughter, lots of applause for the actors who really delivered. I saw more places to cut, places I want to change, and the actors helped to illuminate the script so I could see and hear what I needed to see and hear. All feedback for the actors was glowing. As it should be! The director, well I can't say enough about Brian Demar Jones. He was a gift. I found him because I needed a new director after mine bailed, and Sven Bonnichsen sent me his headshot because Brian had applied to audition and Sven noticed that Brian also directs. Lucky me, Brian was brand new to Portland and hadn't yet been snapped up. By now, he is overloaded with projects, and I will not likely ever get to work with him again as he will be employed by all the big theaters from now on. So, I'm celebrating the fact that we are working together now, and he has been a tremendous help to me on Asylum No More.
We do it again tonight, for our second and last time in this run. It's a festival, we have only two nights. Maybe we will get to do a full production later in the year. I will do my best to raise the funds. All but one person who turned in feedback said they wanted to see the show in full production. The one negative person was negative in every way -- except toward the cast. When I read that feedback (so out of step with everyone else) I suddenly heard my NYC friend speaking in my ear "remember, when playwrights give negative feedback, they are telling you the problems they have in their own plays. It is not about you." So, I took it like that. Because seriously, it didn't seem to be about my play. After tonight, I will write about what I plan to change in the play, based on feedback, based on my own observations. Because it is, of course, still a work in progress.

Asylum No More

Asylum No More is the title I'm trying out today for my new play. One of my playwright friends suggested Asylum. I like it. I like a few more words.
When you see the above title, what do you picture in your mind, or hear in your head? Do you think no more sanctuary? Or the end of an insane asylum? Maybe both? Both would be ideal. Either one is good.
The one word title could be good as well. Because it means both things: sanctuary and loony bin. My protagonist works at the State Asylum. She helps people escape. By the end of the play, she will leave the asylum forever, and she will also try to put an end to the hospital itself.
I've decided on which characters are necessary for the play. I've outlined it. I've done the 15 beat sheet. I have a working title. In the next couple of days I will begin writing scenes. Today I have a murderous migraine that I can't treat until late tonight because I have an event I cannot miss. The young woman I mentored when she was in high school has finally returned to college as an adult and is graduating from college tonight, and has invited me. I wouldn't dream of missing this special occasion. So today, I'm working on the title only. I'm wondering what your thoughts are about my title? Any suggestions or comments?

I support women's plays and new work in theatre.

I'm hoping you'll join me in sending money to support this new play: http://www.indiegogo.com/The-World-Premiere-of-The-Garden-of-Monsters
Mara Lathrop is a brilliant playwright who has won awards with her work, and like all playwrights -- but especially women -- struggles to get her work produced. She has raised some money already and is currently raising more specifically to compensate the artists in this production.
I've written here before how I've irritated local theatre companies with my emails addressing the inequity of women's plays in their lineups. I won't go into that again right now. I will say that there is a recent article in the New York Times about the dearth of women's plays being produced in New York. So, even if I weren't a playwright myself, if I were just an audience member -- which I also am -- I would support women's plays. As a playwright though, I also feel compelled to support NEW work. If I don't advocate for new work and ask others to do so, how can I hope to get my own work produced? What if all we ever watched were things we know we like already?
It's beginning to seem that way in movies, isn't it? Everything is a sequel or a prequel to something we already know and love. How safe is that? Come on people! Get risky! Dare to taste something new, see something you might not like, take a chance. A movie is less than ten bucks. So you waste a couple of hours. You can actually get up out of your seat and go home and waste your time in front of the televison. Or, get this: you can read a book.
At the theater, seeing a live play you might want to wait for intermission, or in one of those new-fangled plays where you have to sit through the entire 90 minutes, you'll have to watch the whole thing -- or not! People actually do get up and walk out if they are offended or bored, you can do that. But look at it like an adventure! Be the explorer of your posse. Choose something from your local rag or online calendar that has a title or synopsis that piques your interest, call and make reservations, or buy your online tix, and show up.
Or if that's too bold, just donate a few bucks to Mara's Garden of Monsters. Please.

SOMETHING TO SHOUT ABOUT: WOMEN PLAYWRIGHTS GETTING PRODUCED

I wish I could also say "right here in River City ..." but not quite yet. However, there are companies in the US who are making it their mission to create equity, and Halcyon Theatre in Chicago is one of them. They are offering a festival of FULL PRODUCTIONS, of five women playwrights this summer. Go here and see: http://www.halcyontheatre.org/mission
This isn't their first year to produce women's plays either, but this year they went out and got five women to write plays inspired by other women's plays (from the past). Who wouldn't love to see that? If you are in or around Chicago, go see. If you can make the trip, go do. If you have funds you can share to support Halcyon's mission, please do that. Support women playwrights however you can, please. Right now, women are being produced only 20% compared to men. We are aiming for 50% by 2020. Anything you can do to support that is much appreciated. Talk to your theatre companies. Let them know you appreciate seeing plays by women, want to see plays by women, then show up when they present plays by women. Women write every kind of play. My last play is "The Godmother." It's about the mob in Kansas City during the Prohibition. In case you thought she was a fairy godmother in a silver coach with white horses. Just saying. Now get outa here you crazy kids.